Korean literature, the body of works written by Koreans, at first in Classical Chinese, later in various transcription systems using Chinese characters, and finally in Hangul (Korean: han’gŭl; Hankul in the Yale romanization), the national alphabet.
Although Korea has had its own language for several thousand years, it has had a writing system only since the mid-15th century, when Hangul was invented. As a result, early literary activity was in Chinese characters. Korean scholars were writing poetry in the traditional manner of Classical Chinese at least by the 4th century CE. A national academy was established shortly after the founding of the Unified Silla dynasty (668–935), and, from the time of the institution of civil service examinations in the mid-10th century until their abolition in 1894, every educated Korean read the Confucian Classics and Chinese histories and literature. The Korean upper classes were therefore bilingual in a special sense: they spoke Korean but wrote in Chinese.
By the 7th century a system, called idu, had been devised that allowed Koreans to make rough transliterations of Chinese texts. Eventually, certain Chinese characters were used for their phonetic value to represent Korean particles of speech and inflectional endings. A more extended system of transcription, called hyangch’al, followed shortly thereafter, in which entire sentences in Korean could be written in Chinese. In another system, kugyŏl, abridged versions of Chinese characters were used to denote grammatical elements and were inserted into texts during transcription. Extant literary works indicate, however, that before the 20th century much of Korean literature was written in Chinese rather than in Korean, even after the invention of Hangul.
In general, then, literature written in Korea falls into three categories: works written in the early transcription systems, those written in Hangul, and those written in Chinese.
There are four major traditional poetic forms: hyangga (“native songs”); pyŏlgok (“special songs”), or changga (“long poems”); sijo (“current melodies”); and kasa (“verses”).
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